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Just finished watching this iconic film from 1963.

Billy Liar is a 1963 film based on the novel by Keith Waterhouse. It was directed by John Schlesinger and stars Tom Courtenay (who had understudied Albert Finney in the West End theatre adaptation of the novel) as Billy and Julie Christie as Liz, one of his three girlfriends. Mona Washbourne plays Mrs Fisher, and Wilfred Pickles played Mr Fisher. Rodney Bewes, Finlay Currie and Leonard Rossiter also feature. The Cinemascope photography is by Denys Coop, and Richard Rodney Bennett supplied the score.

The film belongs to the British New Wave (or “kitchen sink drama”) movement, inspired by the earlier French New Wave. Characteristic of the style is a documentary/cinéma vérité feel and the use of real locations (in this case the city of Bradford in Yorkshire). One sequence includes a very early use of a swear word (“pissed”), which was unusual by commercial film standards of the time; the word is uttered by Mona Washbourne.

In 2004 the magazine Total Film named Billy Liar the 12th in their list of the greatest British Films of all time.

A young British clerk in a gloomy North Country undertaker’s office, Billy (Tom Courtenay) is bombarded daily by the propaganda of the media that all things are for the asking. This transparently false doctrine, coupled with the humdrum job and his wild imagination, leads him on frequent flights to “Ambrosia,” a mythical kingdom where he is crowned king, general, lover or any idealized hero the real situation of the moment makes him desire.

His vacillating commitment and post-adolescent immaturity have created situations which make Ambrosia all the more attractive. He’s succeeded in becoming engaged to two different girls, simultaneously, while in love with a third, Liz (Julie Christie). He’s in hot water with his employer, having spent a rather large sum of postage money on his personal frivolities. And last, but not least, his dream of becoming a highly-paid, famous scriptwriter in London seems doomed to failure.

The only person in his life capable of bringing him down to earth is Liz, and she’s having a difficult time of it. Finally, he gets his life sufficiently in order to leave for London with his true love. Billy still hasn’t come to grips with the real world by the end of the film. He leaves the train to buy milk from a vending machine and watches the train slowly pull out for London with Liz aboard. He returns to the more comfortable shelter of his parents home, Ambrosia and his imagination.