Posts Tagged ‘chris mccandless’

  1. Into the wild with Alexander Supertramp

    May 14, 2012 by Neuschwanstein

    Into the Wild tells the true story of Christopher McCandless. The film begins in 1990, as Chris (Emile Hirsch) graduates from Emory University. He is joined at the ceremony by his father, Walt (William Hurt), his mother, Billie (Marcia Gay Harden), and his sister, Carine (Jena Malone). They are all very proud of Chris and are overjoyed to hear that he’s looking at law school. However, once they leave town, Chris destroys all of his identification cards, gives his life savings to charity, and heads West in his beat-up car. Chris begins going by the name “Alexander Supertramp” and once his car is lost, he begins to hitchhike cross-country.

    His goal is to eventually make it to Alaska. Along the way, he meets many interesting people who aid him on his journey. Meanwhile, his family has no idea where he is and they are very concerned. The movie intercuts Chris’ journey with footage of him arriving in Alaska and heading off into the snowy wilderness on his own. He finds an abandoned bus which has been converted into a shelter (complete with a stove) and decides to live there. But, having “gone back to nature” will Chris’ journey prove to be too much for him?

    Into the Wild is a film which must be judged on two levels. The first is a purely aesthetic one. Sean Penn has obviously taken great pains to craft a very eloquent film which is faithful to McCandless’ life. The movie was shot in most of the real locations which McCandless’ visited, and features landscapes which go from the city, to the dessert, to wheat fields, and to a frozen tundra. The cinematography in the film is simply beautiful at times. We see Chris visit some amazing places, and the fact that Into the Wild was shot in the actual locations certainly lends an air of realism to the film. The editing of the film also enhances the story.

    Into the wild - Christopher McCandless

    Into the wild - Christopher McCandless

    According to the DVD extras, the script was written in a linear narrative, but Penn and editor Jay Lash Cassidy have divided the film into two storylines — the story of how Chris got to Alaska and what he did one he arrived — are intermingled, thus creating an interesting reaction in the viewer. We know that he’ll achieve his goal, but we also assume that something important must happen when he’s alone in the wilderness. Penn also gets some great performances out of his actors.

    Hirsch is probably best known to most as the goofy teenager in The Girl Next Door or the guy who will be playing Speed Racer. But, he gives a good performance here, especially considering the physical nature of the role. Not only does his body go transform, Hirsch does many stunts in the film as well, again, adding to the believability of the movie. Oscar nominated Hal Holbrook is very good as one of the kind souls who help Chris, as are Catherine Keener and non-actor Brian Dierker, who seems like a natural.


    Few who have seen the film would argue with the above points. However, the amount to which one enjoys this film is going to depend completely on one’s world view. Some will admire Chris’ actions and really respond to his story. This is a boy who grew up in a family which was filled with shameful secrets and he often watched his parents fight. Having had an affluent childhood, Chris turned his back on all material things and was determined to live a truly natural life, free from all bonds of society. There will be audience members who have dreamed of getting away from it all, and will applaud Chris’ decision to truly break away.

    Into the wild - Christopher McCandless

    Into the wild - Christopher McCandless

    However, some will take a different view. Chris’ parents were millionaires and Chris had been given an enormous college fund. The film tells us that his parents fought, but we are never told that Chris was directly abused. One could assert that Chris was merely a spoiled kid who decided to take an “adventure” knowing that he could return to his charmed life at any point.

    Also, the fact that he never told any of his family members where he was going (not even his sister, who was basically his best friend), can be seen as cruel. These differing opinions will definitely influence how one views Chris’ journey. But, the fact that the film will make you think and question how you see the story is a testament to the power of the movie. No matter one’s opinion of Chris and his odyssey, there’s no denying the heart-wrenching and disturbing nature of the film’s final act.

    Sean Penn seems to have an affinity for making films where characters are placed in desperate situations and faced with moral challenges. However, the challenges faced by the main character in Into the Wild may be the most intense that Penn has yet tackled. This true story features a subject which will potentially divide the audience and will, at the least, spark debate. Outside of that, this is a very well-made film which, due to its attention to detail, must be considered one of the most accurate biographies ever made.


  2. McCandless – Into the wild

    May 6, 2012 by Neuschwanstein

    Knowing that “Into the Wild” was written and directed by Sean Penn and features songs by Eddie Vedder, you’d expect it to be the most self-serious film ever made, full of lectures and humorless scolding. And there is some of that. The film is certainly the brooding, contemplative type. But it’s also at times surprisingly emotional and unguarded, with a central performance that could be one of the year’s best.

    Based on Jon Krakauer’s book, it’s the true story of Christopher McCandless, a privileged Virginia kid who at age 22 left his family and friends and set out on a two-year trek West, wandering from place to place before ending up in Alaska. He made reckless and foolhardy decisions and has become for today’s disaffected youth either a folk hero or a cautionary tale, depending on your perspective.

    Penn seems to view McCandless as a tragic figure, and his film mixes the beautiful with the devastating. Nature is majestic, and communing with it can be rejuvenating; on the other hand, to be alone in the world is a terrible thing.

    We meet McCandless, played by 22-year-old Emile Hirsch, as he graduates from Emory University in 1990. His parents, wealthy social climbers played by William Hurt and Marcia Gay Harden, want to buy him a new car as a present and an incentive to go to grad school. It’s implied that they’re also a little embarrassed by the clunker he drives now.

    Christopher couldn’t care less. He hates the way his parents raised him, constantly bickering and abusive to one another but always prepared with a façade in public. His rejection of them and his love of Thoreau, Jack London, and other naturalists has tainted him. He wants to leave society entirely — not just the material trappings of it, but all of it — and commune with the rivers and forests.

    Christopher McCandless

    Christopher McCandless

    He heads West without telling anyone, not even his beloved younger sister, Carine (Jena Malone), and the film cuts between two timelines. One follows him on his journey, kayaking down the Colorado River, meeting hippies and foreigners, working with a wheat harvester in South Dakota, all with the goal of reaching Alaska. The other is two years later, when he has arrived in Alaska and is living in an old bus he’s found in the woods. He’s reached his destination. Let the enlightenment and oneness with the universe commence!

    Of course there’s more to inner peace than that, which Christopher — who renames himself Alexander Supertramp on his journey — learns the hard way, crushingly, heartbreakingly. Hirsch’s commitment to the role is impressive, both physically (he lost 45 pounds to play Christopher at his most emaciated) and emotionally.


    In his performance we see the anger Christopher feels toward his parents, which has led to a disillusionment with society in general — and yet he remains a stalwartly good and decent person himself, more disappointed than cynical. He’s enthusiastic and driven. He has an unshakable moral code, and its his parents’ failure to live up to it that has turned him off.

    Penn’s treatment of all this is ambitious and respectable, but also overlong and occasionally overripe. He takes a lyrical, poetic approach that serves the film well from a visual standpoint, not quite as well when it comes to the dialogue. Carine’s periodic voice-over narration, presumably from her diary, leads to howlers like this: “The weight of Chris’ disappearance had begun to lay down on me full-length.”

    Into the wild and Chris Mccandless photographs

    Into the wild and Chris Mccandless photographs

    But the performances are fantastic, starting with Hirsch’s mature portrayal of the immature Christopher. Vince Vaughn has a nice semi-serious turn as a grain harvester who gives Chris a job; also of note are Catherine Keener and Brian Dierker as Jan and Rainey, a hippie couple that Christopher runs into a couple times on his trek. They become replacement parents to him, in a way, and Jan has a conversation with Christopher late in the film that reminds him of the pain his real parents must be feeling after all these months of not knowing where he is.

    Most significant, however, is Ron Franz, an old man Christopher meets in the California desert. He’s played by Hal Holbrook in a performance that gives the film the emotional weight it needs to finally come together as it heads into its final act. Ron has plenty of sage advice to give, but he’s more than just a serene Morgan Freeman-style Wise Old Man. Ron can see that a kid as idealistic, naive, and unprepared as Christopher isn’t going to make it in the harsh world without help, and he’s visibly saddened by this knowledge, practically pleading with Christopher to forgive his parents and return to real life. Holbrook’s work is a true embodiment of a great supporting performance.

    Christopher resists the attempts of Ron, Jan, and others to love him, having stubbornly determined that such concerns are irrelevant to him. It’s not until it’s too late that he recognizes what they were subtly teaching him all along: that communing with nature can bring tranquility and joy, but it’s ultimately nothing if you don’t have someone to share it with.